TV & Film

Shedding light: A review of Star na si Van Damme Stallone

Contrary to its title, Star na si Van Damme Stallone (2016) has more than one star. Think Boyhood (2014) meets I Am Sam (2001)—except this time, we watch Van Damme Stallone (“Vanvan”) grow up through the eyes of those who love the boy.

The plot itself connects the reel to real life. Vanvan wants to be an action star. He also has Down Syndrome, and so do the actors portraying him. Stars in their own right, Jadford Dilanco and Paolo Pingol breathe soul into the younger and older Vanvan, respectively. The film does not just preach representation, but draws on the actors’ personal experiences to tell the story.

The story is told through vignettes of Vanvan’s life. He faces school bullies with Tano, his older brother. An adult Vanvan goes to auditions with his dad’s support. The constant is Nadia (Candy Pangilinan), Vanvan’s “ermat,” as he calls her. As mother to a special needs child off-screen, Pangilinan knows her role by heart. It shows when Nadia stares blankly after hearing Vanvan’s diagnosis; when she fusses over him; when she guides him through buttoning a shirt for the first time; and even when she weeps over the infant Vanvan, apologizing for resenting his existence.

Towards the end, however, the vignettes lose clarity, and there is not much of a conclusion for Vanvan’s celebrity aspirations. Throw in some fantasy sequencesjarring at best, tacky at worstand Van Damme Stallone is far from perfect. But the fact that it ends with a huge “what’s next?” means a lot.

With that, Nadia opens and closes the film by musing about the future. “Sa ating pagitan,” she says, “may isang libong puwede.” (Between us, there are a thousand possibilities.) Perhaps it’s for the best that things are left open-ended, yet on a hopeful note—for Vanvan, his loved ones, and those in similar circumstances.

Rating: 4/5 stars

Photo retrieved from Pinoy Movie Blogger.

You might like these!
TV & Film

How love becomes a ghost in Irene Villamor’s The Loved One (2026)

LOVE OUTLIVES the people who once carried it—a quiet, devastating truth that serves as the foundation of the emotional architecture of The Loved One (2026). Directed by Irene Villamor, the film traces the remains of a decade-long relationship between Ellie (Anne Curtis) and Eric (Jericho Rosales). Fittingly, The Loved One does not unfold as a […]

By Elisha Cayanga

February 24, 2026

By Elisha Cayanga • February 24, 2026

TV & Film

It lives, but no longer hers: Frankenstein (2025)

MYTH, MONSTERS, and love are Guillermo del Toro’s bread and butter. He loves grotesque beings so wholeheartedly that he can’t help sanding down their sharpest edges, polishing their wounds until they gleam with reflected humanity. In Frankenstein (2025), his long-gestating adaptation of Mary Shelley’s original text, that generosity becomes both the film’s animating force and […]

By MJ Villamor

January 19, 2026

By MJ Villamor • January 19, 2026

TV & Film

#VantPicks: QCinema 2025 Watchlist

EVERY NOVEMBER, hums of a projector fill Quezon City as an annual event lights up the movie screens. Keeping this tradition alive, QCinema returns this November 14 to 23 for its 13th year, showcasing over 80 films spanning a range of continents and genres. From screenings at your nearest Quezon City cinemas to affordable tickets […]

By Mika Layda, Mikylla Almirol and MJ Villamor

November 22, 2025

By Mika Layda, Mikylla Almirol and MJ Villamor • November 22, 2025

TV & Film

Grieving for the living: Five Asian films that explore anticipatory grief

WHEN ILLNESS strikes a family, it rarely affects just one person. Loved ones quietly take on the role of caregivers, trying to stay strong and steady as they hold the household together. This setup, though, may be in contrast to many Asian families, where the diagnosis is often kept secret, out of love and not […]

By Ysa Agdamag, Keziah Mallari and Haseena Montante

November 6, 2025

By Ysa Agdamag, Keziah Mallari and Haseena Montante • November 6, 2025