TV & Film

An outré trilogy: A review of Triptiko

Life throws us so many curveballs that sometimes, we are left reeling. Even then, we need to take a step back to reassess. It is not any different in the film Triptiko (2017). Directed by Mico Michelena, Triptiko is a trilogy of unrelated short films featuring outlandish stories that leave the audience squirming in their seats.

“Swerte,” the first story, features Albie Casiño as Jake. After getting lucky one night, Jake experiences a series of bad luck. Casiño’s character had very little time for development, leaving the audience frustrated in trying to understand his reactions throughout the film.

“Hinog,” the film’s second story, stars Joseph Marco as Jason, a male model plagued by the growth of mysterious boils. The sudden illness prompts him to seek help through unorthodox methods.

Marco’s portrayal of Jason, who is pompous and selfish throughout the film, can be described as awkward at worst and respectable at best. Jason’s expressions were not genuinely embodied by Marco, which made his character execution fall flat.

If “Swerte” focused on possible real-life experiences, and “Hinog” on Filipino mythology, “Musikerong John,” the third and last story, is undoubtedly the most bizarre of them all. Nevertheless, the story can be described as lyrical and even poetic, especially with the choice of folk music as main soundtrack.

Kean Cipriano stars as John, while Kylie Padilla plays Ann, John’s significant other. Their acting in “Musikerong John” is commendable. The lines and expressions seemed to have come naturally to Cipriano. Despite her lack of speaking lines, Padilla portrayed Ann’s instability with superb and genuine acting.

Some of Triptiko’s scenes seemed dragging, with majority of the shots having dark lighting. Though it did add an ominous feel in some shots, the shadows were mostly placed in awkward spots that made it hard for the audience to see the actors’ faces and expressions.

Overall, Triptiko is a thriller that keeps viewers on edge, delving into the realms of the physical, mythological, and even the impossible.

Rating: 3.5/5

Photo retrieved from interAksyon.

You might like these!
TV & Film

How love becomes a ghost in Irene Villamor’s The Loved One (2026)

LOVE OUTLIVES the people who once carried it—a quiet, devastating truth that serves as the foundation of the emotional architecture of The Loved One (2026). Directed by Irene Villamor, the film traces the remains of a decade-long relationship between Ellie (Anne Curtis) and Eric (Jericho Rosales). Fittingly, The Loved One does not unfold as a […]

By Elisha Cayanga

February 24, 2026

By Elisha Cayanga • February 24, 2026

TV & Film

It lives, but no longer hers: Frankenstein (2025)

MYTH, MONSTERS, and love are Guillermo del Toro’s bread and butter. He loves grotesque beings so wholeheartedly that he can’t help sanding down their sharpest edges, polishing their wounds until they gleam with reflected humanity. In Frankenstein (2025), his long-gestating adaptation of Mary Shelley’s original text, that generosity becomes both the film’s animating force and […]

By MJ Villamor

January 19, 2026

By MJ Villamor • January 19, 2026

TV & Film

#VantPicks: QCinema 2025 Watchlist

EVERY NOVEMBER, hums of a projector fill Quezon City as an annual event lights up the movie screens. Keeping this tradition alive, QCinema returns this November 14 to 23 for its 13th year, showcasing over 80 films spanning a range of continents and genres. From screenings at your nearest Quezon City cinemas to affordable tickets […]

By Mika Layda, Mikylla Almirol and MJ Villamor

November 22, 2025

By Mika Layda, Mikylla Almirol and MJ Villamor • November 22, 2025

TV & Film

Grieving for the living: Five Asian films that explore anticipatory grief

WHEN ILLNESS strikes a family, it rarely affects just one person. Loved ones quietly take on the role of caregivers, trying to stay strong and steady as they hold the household together. This setup, though, may be in contrast to many Asian families, where the diagnosis is often kept secret, out of love and not […]

By Ysa Agdamag, Keziah Mallari and Haseena Montante

November 6, 2025

By Ysa Agdamag, Keziah Mallari and Haseena Montante • November 6, 2025